在电子音乐方面，像Bambro Koyo Ganda这样的东西并不是自然而然地想到的第一件事。 那是Bo黑猩猩的天才和他无尽的尝试的一部分。 像The Range或Four Tet一样，Bonobo对制作俱乐部音乐并不感兴趣，但对电子音乐的共鸣更是如此，在同一流派中，更多的现代风格音乐只希望它能够实现。 整首歌曲中出现的摩洛哥颂歌环绕着您，几乎催眠了您，直到拍子掉落。 在这一点上，随着您自然地前进，这首歌变得空灵。 像大多数Bo黑猩猩的歌曲一样，没有人告诉你这将很容易。
TLC今年再度发行了最后一张专辑，尽管在这项工作上似乎有很多人入睡，但他们确实在2017年带来了全部专辑。Way Back应该是夏天的歌。 它要求与您最好的朋友在汽车后座以最大音量听到。 它的回旋式卡纸在各种容量下都永不过时。 史努比·道格（Snoop Dogg）出现了，一如既往地无忧无虑，只是乐在其中。 站在CrazySexyCool的最高处 ，它使纯粹的能量和性能无法与Creep相匹配。 上一次发布15年后，TLC再次取得了最后的成功。 Way Back既是欢送的欢送，又是一场欢送的地狱。
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令很多人感到惊讶的是，弗兰克·海洋（Frank Ocean）在2016年推出《 无尽》和《 金发》之后 ，在2017年并没有保持沉默。人们可以全年争论四次不同的单曲，说出他是本年度最好的EP之一（尽管不参加任何一个这样的）。 伦斯（Lens），这首单曲中的第三张可能只是他迄今为止最具实验性的曲目。 就像史蒂维·旺德（Stevie Wonder）的发声实验一样，弗兰克自己的声音是通过一个镜头处理的，该镜头以一种美丽的自然方式完全和谐了。 在一个好的艺术家手中，这样的技术可能是超凡脱俗的，这就是弗兰克对伦斯所做的。 尽管弗兰克取得了任何成就，但他与周围的继任者并不相同。 他是一个超越别人看不见的人，只有几个最亲密的朋友真正能够看到真实的他。 双重性在弗兰克的音乐中起着巨大的作用，在这里，身份和欲望的冲突成为他公共生活和私人生活之间的交叉点。 弗兰克是否有意图将他在2017年发行的任何音乐拼凑在一起，是他迄今为止在Lens乐队拥有的唱片，这是他迄今为止发行的最复杂和永久的唱片之一。
为了向英国车库现场致敬，乔拉·史密斯（Jorja Smith）摆脱了她典型的灵魂音乐，使俱乐部的欢呼雀跃。 “我的思想”是忧郁和弹性的怪异，不可思议的混合，在舞池中引发了各种各样的情绪。 由污垢艺术家Preditah制作，On My Mind是令人耳目一新的车库倒退，既活泼又闷热。 乔里亚（Jorja）二十岁，绝对令人惊叹，并且在赛道上自如。 她的嗓音威猛，灵魂高昂。 乔尔娅（Jorja）从较慢的早期工作中休息了一下，但她并没有因此而步履蹒跚，反而她活在其中。 到她开始唱歌终于要找到问题所在的时候，她的声音已经超越了我们以前听到的任何声音，成为了真正令人陶醉的事物。 没有人能像Jorja的《 On My Mind》那样令人心碎。 更好的是，《 On My Mind》使Jorja Smith成为真正的明星。
有了这只老狗，Mac DeMarco不再试图娱乐或梦想。 他很亲切，很老实。 这个老狗是一个轻小说，内心深处。 当Mac歌颂他不断的爱情和衰老的过程时，他正处于最感人和最脆弱的状态。 有了这只老狗，一切都应该在哪里。 当Mac用gravitas热情地唱歌时，原声吉他和轻柔的合成器音色永不过时。 这只老狗的最终目的是活着。 这是关于与某人日渐成长，长大并在那里见证一切的激情和安慰。 它的美丽和令人难忘的方式只能像Mac DeMarco一样让人内省和切碎。
香水Genius在整个时空都令人难以忘怀。 Throughout changing social progress, Mike Hadreas remains a reminder that there are still battles to be fought and life to live through. He stays true to himself no matter the situation and with Slip Away he provides a huge “fuck you” to anyone who has the audacity to question his ways. For Slip Away is majestic in nature. The entire song is bigger than life and like David Bowie or Kate Bush before him, Mike crafts a world to be lived and cherished within. Its a pulsing love song that rebels against any protest to instead be filled with unbridled joy. The collective and melancholy Perfume Genius from 2010 has grown into an otherworldly experience that not only rewards weirdness but celebrates it. Slip Away begs that you’ll never hide as you come out into the profound. Perfume Genius this year didn’t just become recognized, their music became infinite.
Daughter is warm to the touch. From the first bellows of the sampled, otherworldly voice the songs transcends into sheer inspiring grace. It is alluring from the very beginning in the way very few electronic tracks can be. It twinkles with radiance right within your grasp to uplift one from total darkness. Its humility like this to be found within Four Tet’s music that makes their music almost therapeutic by nature. Tet’s work is meditative in that it is desired to be momentous and long-lasting. With Daughter, Four Tet is giving birth to something precious. Something to be cherished and protected for it is a track beaming with life. In its own little ways, the song expounds all of the elements that defines his work and redevelops it into their own kin.
Drew Barrymore isn’t a collaborative project between SZA and Drew (she did end up making a cameo in the music video!). However it stands to be the best thing of both of their worlds to come out in 2017. Drew Barrymore is submerged with insecurity and questions of self worth. These moments of raw insecurity reflect back to the actual Drew Barrymore. A flawless actress who starred in constant films in the 90s facing the same turmoil. For Drew Barrymore as a song is blunt and honest with the overcoming odds of knowing the after party is over. Despite the somberness to be found in self doubt, SZA is an inspiration for everyone to watch and listen to. As her first single for her debut record, she plays to her strengths with such personal growth and warmth. What SZA does with Drew Barrymore is that she shows that she too is a flawless artist that deserves to be seen and heard, and fortunately in 2017, she was.
Replica is The xx at their most intangible and elusive. In the attempts to break away from the past and to not repeat the same mistakes of the ones before us, Replica becomes a rushing anthem. It presents a band that has refined their skills to a point where they also live in fear of becoming stagnant. To the band’s fortune with I See You , The xx were far and away from making that mistake. What Replica does is that it expands the trio’s sound to a new promise land. It fills a world with color with haunting rides and lush melodies. Known for their shy introspection, Replica opens a door presenting incredible resilience. Here we have a band that is looking for answers everywhere with their desire except with their perceived sound. They have that part figured out at the least, so they can continue to explore new and brilliant emotional arcs.
Frontline is the perfect melding of everything to come before from Kelela. Its her most evocative and aggressive single yet. The sheer dizzying nature of everything featured in Frontline is a true provider of ecstasy and excitement. It all begins with a mesmerizing spaciness that feels just as ethereal as it does adventurous. Once the pace changes however and that industrial drum comes to kick in, the song intricately turns it up to eleven. Kelela takes control of the narrative and defiantly leaves behind anyone that pulls her back. Its a club anthem that has plenty to give and express with a strong knowing of self worth. Featuring the production once again by Jam City, LMK feels like just a small appetizer in comparison to Frontline. It serves as the perfect opener as it completely explodes at the touch with sensuality and everything that defines Kelela. For an exotic five minutes, Kelela takes charge of everything and everyone.
It Gets More Blue is filled with the tangible wit and compassion that defines Girlpool. Featuring some of the most beautiful and thought out lyrics of the year, It Gets More Blue is both cutting and a delight to listen to. The duo entertains the heart and mind without getting lost on the way. Their palpable ways of expression ring genuine and honest. When the duo breaks through with the chorus they aren’t just being vulnerable, they are letting their heart bleed onto the page. Girlpool like the rest of us, is just coping to their best and most sensitive ability. Despite their best intentions in expression, Girlpool is still here. For us that remains to be nothing more than a blessing.
Blood Under My Belt is perhaps The Drums’ best crafted pop song yet. It is near-obnoxious levels catchy as Jonny Pierce sings with hyperdramatic potency. With their new album, Abysmal Thoughts saw Jonny refining his craft as he wrote and produced every song himself. As a result, he takes the band to the limit with Blood Under My Belt. From the chilling violin to the resilient commitment to make up for past mistakes, the song is a lovestruck tale pleading for forgiveness. Such pleas don’t come across as pedantic but they find conviction in having a purpose with aforesaid humility. The track is striking as a vivid self-portrait with deep intricacies around every corner. Its such irresistible melodies that makes the lovestruck song so lasting. The Drums resonates at their best when in misery and Blood Under My Belt is an absolute delight.
脱氧核糖核酸。 might be the eponymous worthy song of the year from every standpoint and rightfully so. As the real opening track to what might as well also be the universal album of the year, DNA. is battle like no other. It also serves as the best statement to his indisputable flow. Kendrick appears on all ends, uncaged and ready to turn society upside down. What ensues with every moving second is perfected chaos. The track floods with equal amounts of celebration and critique towards the culture and heritage of any subject he touches. Nothing is safe from his touch as Kendrick is on all rounds ready to expose the truth of anything that hides its truth from the public. His peerless exploration of identity is just as significant as it feels majestic. If anything remains by the end of DNA. its the message that Kendrick is a king that never misses.
The Bus Song is a luminous reminder of how truly intimate the incredible repertoire of Jay Som is. At 22, Melina Duterte is still figuring things out. What stands nevertheless with her music is the ability to craft abstract and accomplished rock/pop that exceeds the bedroom. The Bus Song by nature is both delicate and crashing in its ability to be assured. When Melina sings about her love for taking the bus, she expresses that it allows her to be whoever she wants to be. There is a profoundness to be found in finding such comfort in the unknown. The multilayered instrumentation is an absolute delight as it builds from a whisper to a tender exhibit of Duterte’s ability to craft a truly excellent song. With their sophomore record this year, Jay Som went beyond their defining origins to make the logical next step. The Bus Song is filled with such transcendent life that you can’t help but feel the need, just like Duterte, to take the bus in the compelling attempt to be whoever you want to be.
Frank Ocean has a knack for expressing the aching beauty and joy of summer. Biking is no different standing as his most free-willed and breezy single yet. Book ended by Jay and Tyler, the three together are at their most loose and free. There’s a unity that stands between the three that seemingly transgresses any need or request for anything else (part of the reason why I prefer it over the solo version). Frank lives by his independence and Biking is no different. Its about the liberating feeling of being free and content with one’s self. Escaping compromise and any haunting hardships of the past, Frank is no longer naive or nervous. The estacity comes to a screeching end with a frenzied looped voice that is truly freeing. As the song ruminates and cycles, Frank Ocean and company have developed a track that is boundless and salivating with triumph.
When broken down to the core as an artist for Sampha there is his celestial voice and then the piano. Sampha is bound to the instrument as his defining feature and pride of his musical career. Its such simplicity that finds itself carried over with (No One Knows Me) Like The Piano. Constructed in an intimate way that truly takes advantage of each defining feature, Sampha doesn’t just live within such simplicity here, he thrives. Process as a collective whole was about finding the beauty within pain and acceptance. The wistfulness that stands is also filled with personal tragedy. Losing his Mom in 2015 and his Dad before, Sampha is no stranger to the painful facts hidden in life. It makes a ballad like (No One Knows Me) truly heartbreaking as he plays from his childhood piano. Such remorse presented within his music is as personal as it is universal. Sampha is an artist embedded with catharsis and a timeless allure. With (No One Knows Me) not only does Sampha set down his roots but he suprasses the heavens.
像大多数花童一样，无聊是个甜美的梦想。 除了阳光明媚的和弦外，Boredom还向泰勒展示了一个孤独的人，他渴望做某事并且有人在附近。 合唱团无休止的求生品质。 像《 花童》中的大多数歌曲一样，Boredom的实力真正取决于其制作和合唱。 在摆脱孤独和孤独的同时，泰勒与雷克斯·奥兰治县，北方的安娜和科琳·贝利·雷在他们诱人的合唱团中唱歌时也加入了进来。 整首歌的传递和演奏几乎千变万化。 泰勒（Tyler）伸手进入室内深处，以引起任何人的注意，这本身就显得很有趣。 泰勒（Tyler）不仅向Boredom传达了孤独感，而且还在传播他作为说唱歌手和制作人面前的一切，以使事情变得深刻。 无聊的事情揭示了希望摆脱艺术家创造力束缚的艺术家所得到的启示。
Provider是一首非常流畅的歌曲，以至于连续十次听完这首歌后，听起来仍然像是您的第一首歌。 这是一种罕见的情况，一首歌只是将其所有元素都对齐以真正地具有超凡的感觉。 Provider涉及动漫，擦鞋匠，Aphex Twin和Stanley Kubrick，是一种具有参考意义的集体体验。 凭借安静的温柔，Provider非常深刻，极少有如此痴迷的歌曲。 在Provider掉线时，他的第四首歌将通过金色的收音机首演，这并不令人惊讶，而只是新颖。 Frank Ocean 2017的四张单曲中的任何一张都可以在此榜单上占据统治地位，但是Provider之所以排名最高的原因是其绝对的奖励和喜悦。 提供者有一种抽象艺术，它在针头停止后会继续做出贡献和发展。 当弗兰克说他可能会改变自己的生活时，您不禁要问弗兰克可能会带来什么样的新生活。 然而，提供者仅以最复杂的方式提供服务，而每一次内省的聆听都会不断地给人一种体验和生活的感觉。
将真理称为史诗几乎是多余的。 然而，忽略了Kamasi Washington的最后一张专辑称为The Epic的事实。 真相到一个令人难以置信的极端是从第一弹吉他弹奏而来的。 除了巨大的感觉外，第一次体验真相的最佳方法是通过其音乐视频。 展出的互不相同的个人肖像既包容政治，又包罗万象。 因为真理是十四分钟的歌，真正超越了世界各地。 到合唱团正式踢响之时，它就成为对生活和爱的庆祝。 真正地超越了地球大气层的体验，是来自单一思想的光荣典范。 随着歌曲和视频的消失，以及歌曲的不断构建和缓解，体验成为一种体验。 在不安的时期，真相是一首赞美而不是报复的政治歌曲。 它本身就充满了人类精神的电影碰撞和爆炸。 它代表着杰作，提醒我们如何将美丽而又不同的旋律放在一起，创造出真实的生活，以及如何知道它。 这个世界的真理是神圣的，而卡玛西·华盛顿（Kamasi Washington）对这个概念的看法更是如此。
很少有团圆会像Slowdive在2017年的回归那样特别。团圆的兴奋通常会随着几年来新音乐的首次发行而消失，事实证明这并不那么出色。 Slomo并非如此。 作为他们复出专辑的开场曲目，Slomo在弦乐的每一次拉动中都赋予了心灵。 从头到尾都令人赞叹不已，随着歌曲在天空的乌云上升起。 细心思索的美慢慢地闪烁着，并在其自身上形成了真正独特的东西。 它的一首歌完全满足了为听众创造旅程的需要。 Shoegaze音乐从本质上讲唤起一种氛围。 一无障碍或限制。 充满潜力的美学极少发挥其最完整和最宏伟的功能。 Slomo是一本丢失的经典作品，感觉与旧时一样新。 它达到超现实的高度，提供宁静的爆炸。 坐了六分钟，Slomo放松了自己的思想和关心，使自己迷失了自己。
关于痛苦和迷失的故事，神话之美是对联系和意义的追求。 相等的部分美丽而令人困扰，大盗充满情感。 Adrianne Lenker对人类状况敏锐直截了当。 通过动不动地动以精神和精神上的牺牲来思考，Lenker的声音随着发光而显现。 在捕捉到她的额头上永久留下疤痕的故事时，所发生的事故为Lenker的存在留下了心理印记。 这是永恒而恐怖的形象，发挥了大贼的力量。 他们的音乐沉重而令人窒息，但仍充满无限魅力。 在这种模糊性和强度相遇的地方，“大盗”是核心的原始对象，在其脆弱性方面内脏。 通过这种好奇心进行交流和展示的有形经验，需要加以反思和解读。 在《神话之美》中有一个潜在的潜意识，它隐藏在所描绘的图形和真实故事中。 在对美丽和恐怖的品质要求很高的一年中，人们常常不得不忘记一个拥抱另一个品质，神话之美是两种表达方式的无形引力。 它生活在2017年的眼中，展现了我们周围都可以找到的创伤和美丽。
嗨，如果您经历了所有这些之后仍然在这里，则非常感谢您检查了此内容✨
谁知道我是否能够胜任与我在2018年一样的工作，但毋庸置疑，2017年对于音乐而言是非常重要且不断变化的一年。 我几乎每年都这样说，但是2017年对我来说是音乐上最重要的一年，这是我对与我息息相关的歌曲的持久敬意。 再次谢谢你-丹
